How to add a bass line with kontakt 6 player

Whether you produce chillout, trance music or hellРІР‚В¦ even blues music, you want your bass to be as powerful and sweet as possible, while still fitting nicely in your mix. Why use distortion or saturation on a bass?Р”Р„ warm, nice sounding bass is fantastic, thatРІР‚в„ўs just a fact. Saturation nowadays is commonly processed digitally, where plugins emulate the overloading effect of tubes, tapes or transistors, with strikingly similar results. The result is a much less aggressive and extreme form of distortion where the characteristics of the sound are left pretty much intact. Introduced in the good old analog days, engineers discovered that they could make sounds warmer and more pleasing by overloading their amps, preamps and tape machines. Saturation, which also is a form of distortion is thought of as gentler. But it can range from a mild fuzz to a crazy overtone buzz. What result you get varies from type of distortion used to amount of effect applied. The most notable things that stands out are the harmonic and inharmonic overtones that comes from the distortion effect. It works by pushing the audio signal through the roof (also called hard clipping), which adds sustain, overtones and compresses the sound almost flat. LetРІР‚в„ўs explain.Р”Вistortion is an extreme effect that is commonly used for electric guitars, producing a growling, gritty sound. Saturation is a kind of distortion, but when we talk about the distortion and saturation effects, they are very different animals indeed.

The effects can be used to boost perceived volume and power. Distortion, as it sounds, is meant to distort your sound, while saturation colors it. Starting off, distortion and saturation are similar, but different.Р”В®asily put: distortion is an angry saturation. It makes it sound angrier, grittier and just more heavy metal. You think about what your distortion pedal does to your electric guitar. The caps letters are kind of what these two effects sound like when you think about them. SATURATION! DISTORTION! Sorry for shouting. See Article: Making Bass Cut Through - 8 Production Tips 2. Ableton's soft clipping in the Glue Compressor works well for this - turn on the 'Soft Clip' function and crank the Makeup Gain. Try using soft clipping instead of limiting - soft clipping also keeps the volume under a ceiling, but adds some extra distorted flavour.Sidechain AFTER limiting РІР‚вЂњ you want to sidechain the limited signal and not the other way around.Adding distortion, EQ and effects on the limited bass signal could work better than using it last in the chain. Put the limiter last in your effect chain, or first.Don't overdo it - or you'll risk squashing your bass too much.Using a lot of limiting on plucked acoustic basses could mess up your transients and make it sound too squashed. This technique is best for a sub and electronic bass with smoother attacks.All your sweet bass notes are at an even, maxed out level.

Use any limiter (the built-in ones in your DAW works fine) with the ceiling at -1dB and crank it up until you see a maximum of 6dB reduction. When your bass plays in different notes, the volume of the soundР’В may change.Р’В This happens mostly because of lowpass filters on bass sounds, which cut off higher frequencies.Р’В This causes higher notes to lose their power and volume. It's kind of a cowboy move, production-wise, but it's very effective. What? A limiter on a bass? You heard me correct. Then proceed with these 5 golden tips: 1. It sounds good, but you feel that something is lackingРІР‚В¦ I'm just going to assume that after some searching, you found/created a bass preset you think fits your track great. These secrets I'm about to tell you about will make an insane difference in your tracks. However, there are very simple but effective techniques you can apply to make your bass sound amazing. Struggling with the bass is a part of the learning curve for every producer. Something that you know could blast the crowds out of their shoes on concerts. And using a simpleР’В sinewaveР’В is boring, right? You want something beefier, heavier. The presets in your sound banks sounds great on their own, but just misplaced and too spaced-out in your track. What can you do about it?Р”Р‡or starters, just finding the right bass preset, or creating the right bass can be a hassle. It lacks boominess, power and doesn't seem to fit right with your track.

How to add a bass line with kontakt 6 player